“墙头马上遥相顾，一见知君即断肠”——论“三言二拍”中的高墙爱情

论文总字数：11876字

目 录

中文摘要 ………………………………………………………………3

英文摘要…………………………………………………………………4

1 “三言二拍”中的高墙爱情…………………………………………5

1.1高墙爱情定义…………………………………………………………………………5

1.2“三言二拍”高墙叙事一览表…………………………………………………………5

2 “高墙”的内涵与“高墙爱情”的分类……………………………7

2.1“高墙”的内涵…………………………………………………………………………7

2.2“高墙爱情”的分类……………………………………………………………………7

2.2.1明媚的爱情………………………………………………………………………8

2.2.2赤裸的欲望………………………………………………………………………9

3 “高墙”的叙事意义 ………………………………………………10

3.1展示人物心理活动……………………………………………………………………11

3.2塑造人物形象 ………………………………………………………………………11

3.3揭示作品主旨 ………………………………………………………………………12

4 结语………………………………………………………………12

参考文献………………………………………………………………13

致谢……………………………………………………………………14

“墙头马上遥相顾，一见知君即断肠”

——论“三言二拍”中的高墙爱情

冯培

,China

Abstract:The "wall" as a image appeared in the Chinese classical novels, the meaning of it has been more than a mere intrinsic sense of geographical space,it has become an obstacle for young men and women in pursuit of free loveas a symbol of blocking and constraint it contains profound cultural connotation, and it has had an impactfor their own individual character and destiny .This article sees the walls narrative of "three second" as the research object, analysis of the "three second" walls of connotation and love narrative significance of "wall"."Wall" as a literary image is not simply refers to the wall in the life, but also is a symbol of moral codes and the law.At the same time, it is not only in the imprison people desire,but also constrains people's behavior.The walls of love is a reaction of feudal ethical code, advocating the pursuit of free love, also violates the normal social order at the same time.For this kind of love, we need to hold a dialectical attitude to look at it.This paper holds that the narrative of "wall" meaning includes two aspects: the characters psychological activity works, revealing the theme.

Key words: SanYan ErPai;Walls;Love;Connotation;Narrative significance

在中国古代，只有通过父母之命、媒妁之言，男女才能成婚的封建思想使得无数青年男女在爱情面前望而却步，将他们的爱情推向了绝境。但是青年男女追求爱情的天性也会冲破外界的种种阻力，故攀楼逾墙的爱情故事在古代时有发生。在《诗经 将仲子》第二章中说到：“将仲子兮，无逾我墙，无折我树桑。岂敢爱之，畏我诸兄。仲可怀之，诸兄之言，亦可畏也。”^[1]指的是长在深闺中的女子由于害怕兄长指责，毕竟男女有别，人言可谓，于是警告恋人不要翻墙来找自己，。在《孟子 滕文公下》中也曾提到：“不待父母之命，媒妁之言，钻穴隙相窥，逾墙相从，则父母国人皆贱之。”^[2]讲的是没有婚约的男子和女子如果“钻穴”相互偷看，甚至翻墙私会，就会受人唾弃。到了唐代白居易的《井底引银瓶》“妾弄青梅凭短墙，君骑白马傍垂杨。墙头马上遥相顾，一见知君即断肠”^[3]，讲的是女子因与爱人自由恋爱却受封建伦理道德这座高墙的迫害并导致最终分离的爱情悲剧。“三言二拍”更是通过述说一些脍炙人口的高墙爱情故事将这种封建社会中男男女女的爱与欲展现得酣畅淋漓。

1 “三言二拍”中高墙爱情

1.1高墙爱情定义

“三言二拍”中的高墙爱情不同于普通男女“父母之命，媒妁之言”的含蓄腼腆的爱情或婚姻，而是一直在特定场所发生私定终身或任意发泄情欲的大胆开放爱情。这些“故事空间”可以是颓垣断壁，也可以是后花园，或者是寺庙，尼姑庵。在这些特定场所发生的爱情总像是突破一切艰难险阻的禁忌之恋，带给读者更多的是传统之外另一番新奇体验。

1.2“三言二拍”高墙叙事一览表: