动画短片《监“控”》的分镜设计

论文总字数：14753字

摘 要

对于一个电影而言分镜设计的重要性不言而喻，分镜在整个电影制作过程中起着完全指导整个电影的运作的作用，而一般在拿到分镜的时候，其实就已经能够预料到成片的效果了。分镜设计在动画短片的创作中的作用亦是如此。但是真正的分镜的设计满足剧本需要仅仅是最基础的部分，如何更流畅地推动剧情，更深刻地展现主题，更细致地刻画人物，将短片的所有元素完美融合在一起，才是一个好的分镜设计。

分镜设计是基于剧本的需要的，但是又不能局限于剧本。剧本已经规定好了分镜的大体内容，但是一些细节还是需要用分镜直接将文字转换为画面，这样就能更加直观地了解到短片能否实现制作以及制作过程中所需要注意的地方，所以分镜设计对一部短片能否实现有着重要的指导意义。

而动画短片《监“控”》中的分镜头设计则主要是为了将动画短片中的两条交织在一起的线索，即年轻妈妈地不负责任和宝宝地活泼好动，融合在一起，更深刻地展现主题，更细致地刻画人物。整个短片的镜头设计结合了一些经典镜头，综合运用分镜设计知识，使整个动画的两条线索的交替转换显得更为流畅自然。当然，短片中的镜头设计也存在着不足和遗憾，本文会重点比较动画短片《监“控”》分镜设计的优劣。

关键词：分镜；分镜设计；动画

Abstract

For a movie, the importance of split lens design is self-evident, split lens plays a role in guiding the operation of the whole movie during the whole movie production process, but generally when you get split lens, you can already expect the effect of the movie. This is also the role of split mirror design in the creation of animation short films. However, the design of the real split mirror is only the most basic part to meet the needs of the script. How to promote the plot more smoothly, show the theme more deeply, depict the characters more carefully and integrate all the elements of the short film perfectly is a good split mirror design.

The split mirror design is based on the needs of the script, but it cannot be limited to the script. The script has already stipulated the general content of the split lens, but some details still need to be directly converted into pictures by the split lens, so that we can more intuitively understand whether the short film can be produced and the points needing attention in the production process, so the split lens design has important guiding significance for the realization of a short film.

However, the sub-lens design in the animated short film "Supervision" and "Control" is mainly to combine the two intertwined clues in the animated short film, namely, the irresponsibility of the young mother and the liveliness of the baby, so as to show the theme more deeply and depict the characters in more detail. The lens design of the whole short film combines some classic lenses, and comprehensively uses the knowledge of split lens design to make the alternation of the two clues of the whole animation appear more smooth and natural. Of course, there are still some shortcomings and regrets in the lens design of the short film. This article will focus on comparing the advantages and disadvantages of the sub-lens design of the animated short film "Supervision" and "Control".

Key words: Storyboard; Storyboard design; Animation

目 录

日程安排 Ⅰ

摘要 Ⅱ

Abstract Ⅱ

第一章 前言 1

第二章 课题调研分析 2

第三章 设计创作过程 3

3.1故事梗概 3

3.2故事浅析 4

3.3分镜设计简析 4

3.3.1对剧情的作用 6

3.3.2对主题的作用 7

3.3.3对人物的作用 9

第四章 设计体会 10

参考文献 14

致谢 15

1. 前言

从1906年由詹姆斯·斯图尔特·布莱克顿制作出的第一部动画片片《滑稽脸的幽默相》，到真正意义上的第一部有声电影《威利号汽船》的诞生，动画已经发展了一百多年的历史。而动画的技术也从原始的跑马灯到负片制作动画，再到“赛璐璐片”制作，再演变到现在的电脑创作（图1.2）。通过先贤的不断尝试与探索总结，动画制作的流程已然形成了一套完整而有效的系统，而在这套系统当中，动画的分镜设计起着巨大的作用。

动画和电影不管是在制作流程还是原理功能上都有着很大的相似之处。动画分镜的创作很大程度上是离不开电影的镜头语言的，镜头语言中的转场、景深、蒙太奇等等手法都对动画分镜的创作有着极大的指导意义。

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