摘 要

Abstract II

第1章 绪论 1

1.1课题研究背景 1

1.2课题研究目的与意义 1

1.3课题研究的内容 2

第2章 黑色幽默电影的相关定义概述 3

2.1黑色幽默的定义 3

2.2黑色幽默类文学作品的兴起 3

2.3黑色幽默类文学作品与电影艺术的结合 4

第3章 浅析黑色幽默类电影中的导演艺术 5

3.1叙事结构的选择与运用 5

3.2人物性格的塑造手法 5

3.3逻辑的悖论性 7

3.4镜头语言的表现 8

第4章 毕业创作《撮拐》的黑色幽默电影元素运用 10

4.1短片《撮拐》的主题及内容 10

4.2《撮拐》人物性格逻辑悖论 10

4.3《撮拐》镜头语言与音乐的冲突 11

第5章 结语 13

参考文献 14

致 谢 15

摘 要

伴随着时代快速发展，技术革命日新月异，电影艺术的发展看似百花齐放，越来越多优秀的作品得以走上荧幕收获票房，能让电影人有更好的客观条件来进行新的创作；但在这片繁荣的背后，随着资本介入市场，在带来大量资金的同时，也扼住了电影艺术创作的喉咙，意识流文艺片等风格化作品淡出视线，取而代之的是类型片粉墨登场。

当今时代下，黑色幽默一词已为大众熟识，而在众多类别电影中，黑色幽默类电影的商业化算是较为成功，不同于一般的喜剧片，优秀的黑色幽默类作品，在你捧腹大笑或者意会言传的微笑时，能让你如鲠在喉；在嘲笑人物的滑稽丑态时，又能让你对周围世界的畸形阴暗而细思极恐。当你在看一部黑色幽默类电影时，你知道剧中的故事是虚构的，但你会觉得它虚构的又那么真实，不由自主的代入，来不及思考人物为何会这样做，因为太理所当然了，人物事件完成后的结局偏偏又令你大跌眼镜，明明一切都是虚构，但他在影片中发生的那么真实。这其中创作者的创作思维让人不得不拍手称赞。

黑色幽默类电影有自己的独特叙事节奏，在120分钟传统电影时长里，它要塑造刻化的人物太多了，要理清的故事线路也不止一条。如何在有限的时间内，让观众更深刻的记住这个人、这件事，这其中就包含着导演艺术的不同之处。

本篇论文的讨论主要分为四个章节，第一章的绪论，主要阐述了课题研究的背景、目的和内容。第二章通过文献等相关理论知识主要对黑色幽默、黑色幽默类文学作品和电影作品以及电影导演艺术做了简单的梳理与归纳。在第三章针对黑色幽默类电影中的导演艺术作出了浅析，通过举例分析此类别电影中导演对故事的理解、黑色幽默中人物塑造的独特手法、矛盾的制造与激化、导演对于时间空间蒙太奇的构想，以及各导演如何用独特而冲突的镜头语言及音乐来展现整个影片的张力，最后通过案例分析两部经典黑色幽默电影，以已上的论述来进行比对与研究。第四章，将理论研究的结论落实到影片实践中去，主要阐述在实践创作微电影《劫道》中，实践创作的主要内容与目的，在毕业创作的导演工作上如何运用所做的理论研究来对微电影《劫道》进行编导。

关键词：黑色幽默， 导演艺术

Abstract

With the era of rapid development, rapid technological revolution and the development of film art looks like flowers, more and more good films to harvest on the screen at the box office, can let the filmmakers have better objective conditions for a new creation; But behind this prosperity, as capital intervene in the market, bring a lot of money in at the same time, also grip the throat of the film art, stream of consciousness works of literature and art pieces and stylized fade out of sight, instead of this genre.

In modern times, the term black humor is familiar to the public, and in many categories in the movie, the black humor the commercialization of the kind of movie is more successful, is different from general comedy, outstanding works of black humor class, smiling at you laugh or sense of words, can let you something; While laughing at the antics of the characters, it can also make you feel bad about the deformity of the world around you. When, when you look at a black humor films, you know the story of the play is fictional, but do you feel like it's fictional and so real, involuntary substitution, no time to think about why people do so, because too course, characters, events after ending unluckily make you surprise, when everything is fictional, but he happened in the film as true. The creative mind of the creator has to be applauded.

Black humor films have their own unique narrative rhythm, the traditional film on 120 minutes in length, it will shape the carved figures too much, to clarify the story line has more than one. How to remember the person and the person in a limited amount of time, this is the difference between the director's art.

The discussion of this paper is divided into four chapters, the introduction of the first chapter, which mainly expounds the background, purpose and content of the subject research. The second chapter through the literatures mainly related to the theoretical knowledge to the black humor, black humor literature and film and film director art made simple and analyzed. In the third chapter, according to the theory of black humor kind of movie director art made analyses, through the example analysis of this category in the film director in the understanding of the story, black humor unique characterization technique, the manufacture and intensify contradictions, the idea of the directors for the time space montage, and how each director with a unique and conflict of camera language and music to show the whole the tension of the film, at last, through case analysis of two classic black humor movie, to have to compare and research on discourse. The fourth chapter, the theoretical research conclusions to film practice, mainly elaborated during practice writing the movie "the high-jack," practical writing, the main content and purpose in the graduate creative director working on how to apply the theoretical research on micro movie "high-jack director.