浅谈动画短片《纸人》中的色彩运用

论文总字数：12261字

目 录

一、动画色彩特征概述……………………………………………………5

（一）动画色彩的联想与象征……………………………………………………………5

（二）动画色彩的主观创作性……………………………………………………………5

（三）动画色彩的运动和时间性…………………………………………………………5

二、动画片《纸人》的色彩运用优势……………………………………5

（一）色彩的搭配对角色个性的塑造……………………………………………………6

（二）色彩的对比对故事气氛的营造……………………………………………………6

（三）色彩的变化对动画情节的推动……………………………………………………9

（四）色彩应用对受众观感的影响……………………………………………………10

（五）色彩的点缀对作者情感的表达…………………………………………………11

三、《纸人》色彩应用对毕业动画短片创作的启示……………………12

（一）依据作品的风格确定色彩的表现形式…………………………………………12

（二）根据剧情需要突出点缀色的作用………………………………………………12

（三）赋予色彩象征意义………………………………………………………………14

结论………………………………………………………………………14

参考文献…………………………………………………………………15

致谢………………………………………………………………………16

浅谈黑白动画短片《纸人》中的色彩运用

李珊珊

，China

Abstract: The success of an animated movie is the color of the visual impact, so perfect color application is quite critical. Subject animated expression, scene presentation, create an atmosphere of color are inseparable decisive application effect. It also animation and creative background, expression character set, set the scene, the camera linked to the audience for animated films most direct experience is the visual expression of the color reflected from. Appropriate use of color in the animation is animation creator solid understanding of color basics. Animation slow development process of China, although a few videos to get the audience recognized, but the embodiment of style and artistic level or can not go beyond the half-century after China's animation. Go into the reason, excluded screenplay writing, style of presentation, not appropriate perfect picture detail, character set of modeling, story settings, etc., as well as the lack of use of color. This paper is based on the importance of excellent animated short film special color application as a starting point with a reasonable color-depth analysis of an excellent animation.

Because animation and other art forms vary, so the application of color animation and other kinds of art forms is not the same color. Animation, suggests that it is dynamic, in addition to characters, scenes, movement of the lens as well as use of montage techniques and so on, like film and non-film. Animation and images related to the picture they need to render color, the picture is animated to a viewer a first visual experience, the vast majority determines the aesthetic value of an animation. We can also say that sports became animated color and temporal characteristics. This paper first color from the basic theoretical knowledge to proceed, then the United States animation director Kars animated short "paper people" as an example in-depth analysis of the specific application and importance of color in the animation, and finally through the "paper people" specific analysis concluded. Final discussion of the results we want by analyzing how to successfully use color winning short film "Paper Man" on American Oscar and discuss conclusions for my graduation short film in all aspects, to improve my own animation level and core competitiveness force.

Key words：color application; color symbol; animated color; black and white animation

一、动画色彩特征概述

（一）动画色彩的联想与象征

在动画的发展史上，从黑白动画到彩色动画，从动画色彩仅仅是对客观世界元素的再现到动画色彩被认为是一种重要的有独特含义的动画视觉元素。而今，受众对于动画的要求也不仅仅限于动人的故事情节，而更多的是追求完美的视觉享受。所以色彩在动画中的应用非常重要。一部动画中的色彩设定产生于文字剧本之后，根据剧本内容设定出作者追求的色彩表达。这些色彩设定不仅要看上去美，而且还有更深层次的象征含义，每一种色彩都会给人独特的联想，有微妙的烘托气氛或者传达某种讯号的作用，它们会引发多重情感含义的表达，而且利用色彩的象征意义可以很好的表达作者的创作理念。动画色彩对比现实生活中的真实色彩来说创造性更加多元，因为动画中运用的色彩不仅可以是客观存在的色彩，也可以是完全靠创作者想象出来的色彩，根据不同的人物、情节、环境会有所变化，以此来感染受众的情绪。动画色彩不仅可以强调某一特定角色或者道具的色彩以展现其特性，而且它还可以通过强化镜头、场景等某一局部色彩来深化渲染氛围、深化主题，还有我们常说的动画风格，整个动画作品所呈现的贯穿整体的色调也是动画风格的表达之一，这种动画的整体色调是动画创作者最深层的情感的倾向性表达，有最基本的象征性目的。

（二）动画色彩的主观创作性

动画导演在创作的时候往往会有自己的思想情感、创作意图以及想要传递的理念或想法，他们把对色彩的感受通过重新组合创作出能表达自己想法的艺术作品，以增强表现力和感染力。就像天空不一定是蓝色的，动画创作者可以让天空是彩色的并且根据不同的情感需要不断变化色彩。比如客观世界是由成千上万种色彩构成的，但是《纸人》是一部几乎没有彩色的黑白动画，因为故事背景的情感需要，在创作者眼中看到的一切都是灰色的，所以通过动画镜头所呈现出来的灰色就是动画色彩的主观创作性表达，这很有效的在受众意识里埋下了压抑、冷漠的心里感受。视觉语言之一的色彩可以帮助动画呈现动画创作者想要的最佳效果，通过电脑CG，手绘等方式来完成。不但有利于动画创作者抒发情感，而且促使动画情节发展，并且能够增强动画感染力和画面效果。

（三）动画色彩的运动和时间性

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