浅谈崔国强的油画艺术特色

论文总字数：9695字

摘 要

"写意"(Freehand brushwork)最早出现的来源是中国画,属于一种绘画表现的手法,强调的是一种意境的表达,在世界艺术格局中，中国油画始终扮演着小角色，蜷缩在西方的阴影下乞食，虽可以省去很多力气，但始终赢得不了世界的尊重，为打破这种模式，只有在西方油画体系之外另起炉灶。固有的文化资源则是中国油画自立门户的本钱，自明中期传入中国以来油画便与中国写意相互碰撞，从而使得“意象油画”的产生，本文通过对崔国强写意油画意境的论述,油画艺术意境中所表达现象的研究,以及根据他具有代表乡土情感的作品《古城》油画创作意境中的表达形式的分析来阐述我对油画创作中意境表达的理解,以及对我的影响和感悟。

关键词：崔国强，写意，乡土情感

Abstract：Freehand brushwork is the earliest source of Chinese painting, which belongs to a method of painting expression. It mainly emphasizes an artistic conception, but also belongs to the activity category of a new aesthetic art form, which mainly produces a fusion of emotional forms between objects. In the 12th century, our ancestors have seen oil paintings, but at that time oil paintings were for religion. Service is not fully understood by ordinary people. It was the Qing Dynasty that formally flowed into China. In order to better adapt to the aesthetics of Western countries, Chinese artists began to understand, learn and apply oil painting. In the early 20th century, Liu Haisu returned from abroad to bring back the oil painting art of Western countries. Therefore, oil painting began to flourish in China. Freehand brushwork oil painting art is based on traditional Chinese culture, and then integrates western oil painting tools and materials, and mainly in line with the aesthetic judgment values of China"s universality. It belongs to an art form presented by the combination of Chinese and Western cultures.

Through the discussion of artistic conception of Cui Guoqiang"s freehand oil painting, the study of the phenomena expressed in the artistic conception of oil painting, and the analysis of the artistic conception expression form of Cui Guoqiang"s oil painting "Ancient City", which represents the local emotion, this paper expounds my understanding of artistic conception expression in oil painting creation, as well as its influence

Key words ：Cui Guoqiang; Image; Local emotion

目 录

1引言……………………………………………………………………………6

1.1选题依据……………………………………………………………………6

1.2研究意义……………………………………………………………………7

2崔国强油画的艺术特色及作品分析……………………………………… 11

2.1崔国强油画中浓重的写意基调…………………………………………12

2.1.1线条的书写性表达…………………………………………………… 12

2.1.2块面的厚重性体现……………………………………………………12

2.2崔国强油画中质朴的乡土情感…………………………………………12

2.2.1色彩象征性的表达……………………………………………………12

2.2.2色彩中蕴藉的乡土情感………………………………………………12

3油画风格形成的因素……………………………………… 12

3.1生活背景………………………………………… 12

3.2情感经历………………………………………………12

4崔国强油画对本人创作实践的影响……………………………………… 12

4.1对写意艺术审美有了新认识………………………………………… 12

4.2对自身油画创作的反思………………………………………………… 12

结 论…………………………………………………………………………13

参考文献………………………………………………………………………14

致 谢…………………………………………………………………………15

引言

引言：“意象油画”不是新的话题，却是艺术界经常变化的话题。随着西方油画的不断涌进，许多学者试图从中国传统美学入手，整合西方最新的视觉研究理论，形成自己的观点。然而，随着当代油画民族化、本土化的推进和当代画家的人生观于个人审美的追求，越来越多的画家关注那种朴素的具有原始生命力的乡土题材风格，写意油画家崔国强在探索着这一切，表达着这一切。崔国强用自己独特的绘画语言不断探索属于自己的艺术之路，从而形成写意的艺术理念。

1.1选题依据

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