论文总字数：31853字

摘 要

明代书坊主余象斗所刊刻的双峰堂刻本《水浒志传评林》首创了“评林体”，形成“上评中图下文”体式。本文重点探究插图在文本、评点之间的走向趋势，创造性地提出并分析插图存在评点倾向。利用图评对照方式，全面解读人物的塑造批评、情节的提炼批评与主旨的突出批评等方面，总结出余氏插图存在着鲜明的评点倾向。同时，采用横纵向对比手法，横向比较余本、容本、袁本《水浒传》插图与评点的关系，纵向比照余氏各“评林本”，发现插图呼应评点之批评形态为余氏“评林体”所独有。为此，探究插图的评点倾向根源，认识到余象斗之主观行为与“评林体”之客观体式的促使作用。

关键词：《水浒志传评林》；插图；评点；批评意识

A STUDY ON ILLUSTRATIONS TENDING TO COMMENTS IN

YU XIANGDOU’S “COMMENTS ON THE WATER MARGIN”

Abstract

“Comments on the Water Margin” is a block-printed edition from Shuangfeng Tang , which was created by Yu Xiangdou, a bookstore owner in the Ming dynasty. This edition added a large amount of comments for the first time, thus created a new format as comments locate on the top, illustrations in the middle and text at the bottom on a page. Here, exploring whether illustrations go after the comments is the most important issue, and we find that illustrations are indeed affected by comments. By comparing illustrations with comments, we learn about the character description, the plot abstraction, the main purpose emphasis and so on. Therefore, we conclude that Yu’s illustrations are evidently inclined to express the significance of the comments. Besides, according to the different relationships between illustrations and comments in various editions from Shuangfeng Tang, Rongyu Tang and Yuan Wuya, as well as by the reference to different editions from Shuangfeng Tang, we finally find that it is the only case that illustrations echo with comments in Yu’s editions. Then, there are two reasons: in one way, Yu Xiangdou’s subjective behavior make the connection between illustrations and comments when printing; in another way, the new format make the interaction between illustrations and comments more possible.

Key Words: “Comments on the Water Margin”; Illustration; Comment; Criticism

目 录

摘要 1

Abstract 1

第一章 绪 论 3

1.1 “评林体”体式之自觉 3

1.1.1 体式新创 3

1.1.2 评校自觉 4

1.2 研究综述 5

1.2.1 小说戏曲插图研究 5

1.2.2 《水浒传》插图研究 6

1.2.3 《水浒志传评林》插图与评点研究 6

1.3 研究思路 7

第二章 游戏性阅读：插图的评点倾向呈现 7

2.1对应“表白”：插图的评点倾向总体趋势 8

2.2 多角度批评：插图的评点倾向全方位呈现 12

2.2.1 人物批评 13

2.2.2 事件批评 17

2.2.3 主旨批评 18

第三章 纵横面对比：插图的评点倾向独特突显 22

3.1 余本、容本、袁本对比：余氏插图的评点倾向突显 22

3.2“评林本”比照：插图的评点倾向延伸 26

第四章 批评主导：插图的评点倾向溯源 28

4.1 余象斗的主导作用 28

4.2 “评林体”的呼应作用 29

结 语 30

参考文献 32

第一章 绪 论

本论文以余象斗《水浒志传评林》为研究对象，重点探讨该版本插图存在评点倾向。此问题的产生在于《水浒志传评林》独创“评林体”体式，即余象斗集插图与评点于文本之中，形成了上评、中图、下文的版式。那么插图夹于评点与文本之间，与两者密不可分，其在游离于文本与评点之态下，是否明显产生倾向于评点的走向趋势且这种倾向产生的根本原因是什么，这是本论文所要重点探究分析的。

• 1. “评林体”体式之自觉

插图与文本的互文关系在插图本研究中已经得到了学界的一致认同，那么插图在与评点的互动关系中发挥作用的认识，将创造性地补充插图这一特殊形态在明清文学中的独特价值。为了更好地认识“评林体”之特殊性，以下对《水浒志传评林》版式做基本介绍，并指明余象斗在《水浒志传评林》中的自觉性创作参与。

1.1.1 体式新创

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